La Patrona is a Spanish-language telenovela produced by Telemundo and Argos Comunicación. It is a remake of the 1984 Venezuelan telenovela La dueña. The series stars Aracely Arámbula as Gabriela Suárez, Jorge Luis Pila as Alejandro Beltrán, Christian Bach as Antonia Guerra and Gonzalo García Vivanco as Lucho. The name reflects a Spanish term for addressing a person recognized as a main boss. However, the title is also a reflection of both the protagonist and the antagonist's struggle to conquer power, authority and respect in a labor field traditionally deemed to be a man's job.
| Genre | Telenovela |
| Created by | Valentina Párraga |
| Written by | Eduardo Macías, Cristina Policastro, José Vicente Spataro, Rossana Negrín, Valentina Párraga |
| Story by | Valentina Párraga |
| Directed by | Víctor Herrera McNaught, Carlos Villegas Rosales, Víctor Hugo Martínez |
| Starring | Aracely Arámbula, Jorge Luis Pila, Christian Bach, Gonzalo García Vivanco |
| Theme music composer | Paco Paniagua, Marlú, José Ángel |
| Opening theme | "La Patrona" performed by Aracely Arámbula, "Juntos tú yo" performed by Aracely Arámbula |
| Ending theme | "Laberinto" performed by Marger |
| Country of origin | Mexico, United States |
| Original language(s) | Spanish |
| No. of episodes | 127 |
| Executive producer(s) | Gabriela Valentán |
| Location(s) | Zacatecas, Querétaro, Mexico City |
| Camera setup | Multi-camera |
| Original network | Telemundo |
| Picture format | HDTV 1080i |
| Audio format | Stereophonic sound |
| Preceded by | Corazón valiente |
| Followed by | Marido en alquiler |
| Related shows | La dueña (1984), Santa Bárbara (2015) |
關於La Patrona
The lone female, a single mother, working in a gold mine suffers taunts and abuse from some of the other miners.
La Patrona的成就
The Spanish-language telenovela is a remake of the 1984 Venezuelan telenovela La dueña.
您不知道JLa Patrona的熱門事實
Argos Comunicación telenovelas.. American television series based on telenovelas.. Spanish-language American telenovelas.. Telemundo telenovelas.
